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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Afterword JNL |
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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Afterword JNL |
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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Afterword JNL |
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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Afterword JNL |
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| Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints. |
A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!
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| Conversa |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints. |
A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!
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| Conversa |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints. |
A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!
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| Conversa |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Tuerca |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Tuerca |
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| Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype. |
Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.
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| Legit Didone |
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Tuerca |
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| Designed by Jakob Fischer, Silent Waste is a hand display font family. This typeface has two styles and was published by Bogstav. |
Silent Waste is based upon a misspelling on a sign. It’s handdrawn, yet digitally manipulated. But you can’t tell!
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| Silent Waste |
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| Designed by Paulo Goode, Torus Pro is a sans serif font family. This typeface has fourteen styles and was published by Paulo Goode. |
Torus Pro is a rounded monoline typeface. As its name suggests, this is a more professional version of my original Torus family released in 2017. Each glyph has been scrutinised and redrawn where necessary. In addition, there are now italics, small caps, old style figures, and numerous other improvements.
Torus Pro includes many new decorative alternates and ligatures that will add distinctive flourishes to your typographic compositions. With up to nine alternates for some glyphs, these additional styles include stencilled, simple dots, looped and smooth swashes, plus a more aggressive angled option for those looking for something a little different. When used subtly, these alternates and glyph combinations will add flair and personality to your own creations. Perfect for titling and branding, Torus Pro also packs a punch without these features activated, as well as being a comfortable read in long runs of text.
There are 12 fonts altogether, ranging from Thin to Heavy weights in both roman and italic. The variable font versions of the family allow you to define the weight exactly to your liking. Torus Pro has an extensive character set that covers all Latin European languages.
Key features:
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| Torus Pro |
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download Now Server 2 Downl...
